Professional Photography

German portrait photographer Grit Rümmler has spent 20 years creating staged, fine-art portraits — and the last four taking them underwater with an Outex waterproof camera housing. In this feature, she shares how accessible underwater camera gear unlocked a new creative environment, what she learned from an ambitious parachute shoot across multiple lakes, and why distinctive underwater imagery is increasingly valuable for photographers looking to stand out. A practical and inspiring look at how one hobby photographer expanded her portfolio without abandoning her style.

Internationally acclaimed astrophotographer Wioleta Górecka is redefining night photography by combining the Milky Way with underwater landscapes. Discover how she uses Outex to protect her camera while creating breathtaking split-shot images in Iceland's harsh and unpredictable environments.

Capturing world-class sports photography requires speed, precision, and the ability to shoot in any environment. Outex ambassadors like Olivier Morin, Andrew Hancock, Bryan Keane, Jonne Roriz, Dean Podmore, and Ryan Sorensenpush the limits of action imagery across arenas, tracks, oceans, and stadiums worldwide. Whether freezing split-second peak action, shooting in unpredictable weather, or mixing stills and motion, these elite photographers rely on Outex waterproof housings for their optical clarity, universal camera compatibility, lightweight travel build, and durable modular systems. For beginners and emerging enthusiasts, Outex gear opens the door to capturing professional-level sports imagery—rain or shine, dust or dirt, poolside or pitch-side—without investing in bulky, expensive hard housings. This blog explores what makes sports photography so demanding, how top pros approach it, and how Outex enables anyone to shoot fast-moving athletes with confidence, creativity, and total protection.

L'artiste Howard Lewis explore la lumière, la forme et l'énergie cinétique dans l'exposition de photos en noir et blanc, Kinetic Solitude, récemment présentée au Dow Museum of Art et au Lens Scratch Magazine. Pour la série, il n'était pas positionné sur un rebord ou une falaise surplombant l'eau, mais plutôt immergé jusqu'aux cuisses dans l'eau froide, tout en évaluant le mouvement imprévisible de l'eau et en veillant à sa sécurité et à celle de son équipement. "Pour la série j'utilise Outex avec mon Sony A7rlll avec un objectif Zeiss 55mm 1.8"