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Patented gear for creators. Shipping worldwide since 2010.

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Camera Systems

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Phone Systems

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Accessories

One System.
Every Camera.
Every Phone.

Like your camera Outex is a system of separate, interoperable parts that work together. Compatible with: lights, tripods, mounts, triggers, domes, tethering, and more, even underwater.

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Outex works with virtually any camera, lens, or phone — DSLR, mirrorless, medium-format, film, cinema and mobile.

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Trusted By Professionals Around The World Since 2010

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Why Outex Stands Out

Universal Compatibility

Works with all cameras (DSLR, mirrorless, film, medium-format, cinema, etc.), and phones.

Professional Results

Optical Glass Ports & Domes (Not plastic/acrylic) for professional imaging results.

Waterproof 10m/33ft

Ideal for snorkeling, swimming, boating, kayaking, SUP, adventure, and travel. IP68

Travel-Friendly

Adds no weight or bulk to your gear or travel. Fits inside your existing camera bag.

Blog posts

Pushing The Innovation Envelope: Infrared Underwater Photography with Michelle Valberg

Award-winning photographer Michelle Valberg explores the unseen world of infrared underwater photography in Indonesia using her Nikon Zf, a Kolarivision infrared filter, and the Outex waterproof housing system. With optical glass ports ensuring uncompromised image quality and a lightweight, travel-ready design, Outex allowed Valberg to capture surreal, dreamlike images that reveal the hidden beauty of the ocean — in wavelengths invisible to the human eye.

Proof That Cinema Can Be Powerful in Just Minutes - "Me Enseña" Surf Film

Behind Me enseña — A Quiet Force in Frames There’s a hushed intensity to Reagan Matthew’s short film Me enseña. It doesn’t grab you with spectacle — it invites you to lean in. Shadows stretch; silence lingers; a gesture, a glance, a flicker of expression carries weight. The narrative feels less like a story told and more like a moment lived, lingering just beyond the edge of one’s attention. Matthew’s voice as a filmmaker is subtle but exacting. He trusts that the camera can convey what words cannot — the unspoken hurt, the tender reckoning, the moment someone learns (or is taught) how fragile our bonds can be. Me enseñabecomes a kind of visual parable: every cut, every hold, every nuanced shift in light or breath is deliberate. In those quiet places, the film finds its emotional gravity. It’s this sensibility — the confidence in restraint, the belief in image over exposition — that marks Me enseña as a work to watch and unpack.
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